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Turned Miniature Eisteddfod Chair
Having had the honour to be commissioned again to make a miniature chair for Cymdeithas Ceredigion‘s 2016 Eisteddfod I decided to put my all into making a turned miniature chair. Since turning is my main medium for working with wood it made sense to explore this method to make the chair. I’ve made chairs for Cymdeithas Ceredigion before, both a full size chair and two miniature chairs, however I used more traditional methods for these chairs. (The 2015 miniature chair, described here and here, was made out of Laburnum and the 2014 was made of Elm.) I had a prototype turned chair floating around the workshop which I’d made a…
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A Priceless Gift
I received a priceless gift a few years ago in a tale with many twists and turns. I was commissioned to make a chair to be given as a prize at a local Eisteddfod. Cymdeithas Ceredigion had been bequeathed money and the Cadair Goffa Pat Neill (Pat Neill memorial chair) was to be given for a poem in “cynghanedd” which is strict metre. (I’m afraid my knowledge of the complexities of poetry in any language is beyond me. The basics of Shakespeare’s iambic pentameter is the limit of my knowledge.) Working with wood, however, is another matter. And what an honour to be commissioned to make this chair. I immediately…
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Tale of an Ash Tree
My work often comes from trees where I know some of the story behind the wood. None more so than one particular Ash tree. There are so many different threads of different stories that I see when I look at a piece from this tree. Once upon a time an Ash seed rooted itself in just the wrong place, on a river bank where there was almost no soil and under a cliff so there was almost no sun either. For a hundred and fifty years and more the Ash tree grew tall and thin as she stretched to reach more light, developing a buttress on one side to hold…
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Cankered Ash
Cankered Ash is a beautiful wood. Ash is so often beautiful anyway but Cankered Ash is wonderful. It has all the sorts of things I really enjoy with wood. It is unpredictable and moves after it has been turned – even if it is turned quite dry but especially if it is turned fresh. There must be a lot of stresses in it. It often has a particularly good colour and sheen to it, rich and deep. And, of course, it also has holes in it! Quite why they are appealing I don’t know but it isn’t only me. It seems that the more holes there are in a piece…
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The History of the Tree in the Wood.
The history of the tree is in each piece of wood but it can not always be easily read. One of the easiest stories to read is when a tree has been cut across the grain. Because the wood has to shrink as it dries (a living tree is about 60% water and this will come down to 10% or below for a centrally heated house) when it is cut like this it inevitably cracks. When it is planked along the grain it can move in different ways so does not necessarily crack. This circle of wood is 31″ diameter at the narrowest point and over 3′ at the widest…
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Using the Way a Tree Grows in My Work
Using the way a tree grows enables me to get the most out of the wood I have. Some wood is reliable and reasonably predictable in its behaviour but some wood is “wild” and very unpredictable. Some wood turners prefer to just stick to the predictable. The wild wood can make a bowl warp – something I prefer to celebrate when it happens. It is exactly what I would mean by “using the way a tree grows in my work”. Or in other words “letting the wood have the last say”. The normal way for a tree to grow is evenly around the pith. This ash tree shows the way…